Syllabus ~ IDH 3005 & 3006, Section No.1
Beauty, Beliefs & Power in the Mediterranean 2008/09

Prof. John S. Kneski, Associate Dean & Senior Fellow
Director, Student Research & Artistic Initiatives Program
Director, Honors College Italy Program
Lecturer, The School of Architecture


Beauty & Power in the Mediterranean
Artifacts from the Wolfsonian - FIU Collection

Accepted to The Library of Congress &
The 2007 National Collegiate Honors Council Conference

Sixteen research projects that examine the historic connection between aesthetics, values & authority in Mediterranean cultural history using selected artifacts from The Wolfsonian Museum, Miami Beach, Florida (AAM/ICOM). Accepted for presentation at the 2007 National Collegiate Honors Council conference in Denver. ISBN: 0-9753452-0-7. Library of Congress Card Number: 2007927088. LC Classification: N6758.5.M63 K54 2007, DC: 701.18 -45. Publication date: April 2007.



Course Description


This course examines the aesthetic expressions of authority and values throughout history in Mediterranean culture. The class combines slide lectures, formal and vernacular works of literature, discussions, film, and field trips as vehicles for examining the 21 major topics of the course.

Course Overview:

This course was designed to prepare students for the Honors College Italy Program, but is open to those who have an interest in learning more about the Mediterranean also. The course is integrated with a website which provides the student with comprehensive companion informational and organizational materials for the course.  A broad range of themes are used to examine historic and current topics relevant to the themes of the third year in general. The first semester concentrates on pre-modern era Mediterranean cultures and their effect on the Italic peninsula. This semester terminates in an individual pre-modern research project.

The second semester focuses on post-Renaissance aspects of Italian culture and their effect on the Mediterranean in general.  This semester terminates in an individual project that includes a creative exercise accompanied by analytical writing. Readings, dramatic and documentary films, local field trips, slide lectures, research, and group presentations are all components of this course.  This is not a passive course - the student must be willing to be an active participant in the course activities and discussions. 

Instructor Contact Information:

Prof. John S. Kneski
Associate Dean & Senior Fellow, The Honors College
Office Location: DM-238
Phone: 305-348-6360 / 305-348-4100

Office Hours: T-TR 10:00 - 12:00 (please call first if you are coming from off campus)
...............................All students enrolled in this class are required to schedule at least one office visit before November 1st.


Major Topics to be Covered:
• Relational Study of the Paradigms Aesthetics, Values and Authority
• Mediterranean Geography
• The Oral Tradition & Ancient Greek Literature
• Ancient Greek Democracy and the Foundation of Western Civilization
• The Classical Ideal as the Philosophical Connection Between Athens and Rome
• Epistolary Studies of Roman Society
• 1st century Roman Government: SPQR vs. Oligarchy, Aristocracy, and Deification
• Byzantium as Torch Bearer or Western Civilization
• Literature at the Time of the Plague as an Indicator of Secular Values
• The Migration of Arab Learning to Europe in the 12th Century
• Italic Art through the Ages: Abstraction and Realism
• Political Power and Theory in Renaissance Tuscany
• Portrayal of The Great Artists of the Renaissance in Literature
• Foreign Interpretations of the Italian Renaissance at the time of Shakespeare
• The Mediterranean Color Palette in Art and Architecture
• Modern Arab Literature of the Mediterranean
• Morocco as a Microcosm of the Arab Mediterranean
• 20th Century Italian Cinema
• Ecology of the Mediterranean Basin
• Decorative and Propaganda Arts of the Modern Mediterranean

Course Objectives & Learning Outcomes:
The objective of this course is to prepare students for study abroad in Italy and to impart an awareness of the historic relationship between the paradigms "aesthetics, values, and authority" in the Mediterranean. The anticipated learning outcomes for this course are:

• a demonstrable awareness of the 20 major topics of the course
• the ability to discuss with specific examples the historic relationship between aesthetics, values, and authority in the Mediterranean
• the ability to produce a publishable research paper suitable for presentation at a major conference
• the ability to produce a piece of abstract art suitable for presentation in a formal exhibition

Required Course Material

(student is responsible for the following material, both for course discussion and quizzes according to the course schedule)
Fall Semester ~ IDH 3005

Required Reading :

Sprezzatura - (sections), by Peter D'Epiro
The Republic by Plato, translated by Tom Griffith
The Letters of Pliny the Younger, translated by Betty Radice
Vitruvius' Treatise on Architecture, translated by Morris H. Morgan
The Divine Comedy, by Dante Alighieri, translated by John Ciardi

Required Viewing:

Mediterranean on the Rocks, by Scientific American
Greece: Crucible of Civilization, PBS
The Roman Empire in the 1st Century, PBS
James Burke: The Day the Universe Changed
Wendy Beckett:
The Story of Painting: Early Art
Field Trip:

The Wolfsonian Museum
Florida International University, Miami Beach

Spring Semester ~ IDH 3006

Required Reading :
The Decameron (selections), by Boccaccio
Sprezzatura
- (sections), by Peter D'Epiro
The Lives of the Artists, by Giorgio Vasari
The Prophet, by Kahlil Gibran
The Stranger, by Albert Camus

 
Required Viewing:

Artemisia, by Agnès Merlet
The Medici: Godfathers of the Renaissance,
PBS

Wendy Beckett: The Story of Painting: The Renaissance
Caro Diario
(selection) , by Nani Moretti
Cinema Paradiso,
by Giuseppe Tornatore

 Field Trip:

The Kress Collection
Lowe Art Museum, Coral Gables